One of the most charming of all the mansions I saw stood nearly opposite our hotel, and was faced up entirely with china tiles, chiefly blue and white, and set with old bronze balconies, as dainty and quaint as a dwelling in fairy-land. I examined the interior of this house also, and found it faced within as well with the same simple, Moorish-looking, tiles, in staircase walls, ceilings, and even the high, banked-up furnace, or range, in the kitchen. An affable major-domo occupied his leisure with painting, in a large library on the ground-floor. He was just now engaged in copying and enlarging, very poorly, the photograph of a lady, over which he held up his brush for criticism. A maroon carpet was laid up the centre of a grand staircase, and the same uniform color prevailed in the carpets throughout. The rooms were large and high, the principal ones opening both on the street, and, by means of light glass doors draped with lace, on the balconies running around the courts. These balconies are edged in the general practice with climbing vines and rows of handsome plants. In one of the rear courts could be heard and seen the family carriage-horses, together with others for the saddle, stabled according to custom under the common roof.
There was a large saloon, with divans, and old-fashioned mirrors, sloped forward from the walls, instead of pier-glasses; and a little boudoir, with furniture entirely in gilded wood and cane. There was a pretty family chapel, with two prie-dieux for the master and mistress, and a couple of benches for the use of the servants. In the bedrooms of such houses are usually religious pictures, copies of Murillo and the like; and there are also found quaint effigies of sacred things, as a representation of the Nativity; a Christ, with purple mantle and crown of thorns; A life-size Virgin, in raiment of tissue of silver,
