voice burst forth into a chant, whose literal significance she was unable to grasp, owing to lack of familiarity with the language in which it was couched, but whose general tenor no one could mistake, so tender and arch was the rendering.
With a vague thrill of apprehension she threw open the door.
Sunk in cushions, a tea-cup on the arm of his chair, a guitar resting on his white flannel sleeve, reclined the director of the Rooms. Over his head hung a large and exquisite copy of the Botticelli Venus. Miss Gould’s horrified gaze fled from this work of art to rest on a representation in bronze of the same reprehensible goddess, clothed, to be sure, a little more in accordance with the views of a retired New England community, yet leaving much to be desired in this direction. Kitty Waters attentively filled his empty cup, beaming the while, and the once errant Annabel, sitting on a low stool at his feet, with a red bow in her
