Page:Middlemarch (Second Edition).djvu/64

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52
MIDDLEMARCH.

she had never been taught how she could bring them into any sort of relevance with her life. But the owners of Lowick apparently had not been travellers, and Mr Casaubon's studies of the past were not carried on by means of such aids.

Dorothea walked about the house with delightful emotion. Everything seemed hallowed to her: this was to be the home of her wifehood, and she looked up with eyes full of confidence to Mr Casaubon when he drew her attention specially to some actual arrangement and asked her if she would like an alteration. All appeals to her taste she met gratefully, but saw nothing to alter. His efforts at exact courtesy and formal tenderness had no defect for her. She filled up all blanks with unmanifested perfections, interpreting him as she interpreted the works of Providence, and accounting for seeming discords by her own deafness to the higher harmonies. And there are many blanks left in the weeks of courtship, which a loving faith fills with happy assurance.

"Now, my dear Dorothea, I wish you to favour me by pointing out which room you would like to have as your boudoir," said Mr Casaubon, showing that his views of the womanly nature were sufficiently large to include that requirement.

"It is very kind of you to think of that," said Dorothea, "but I assure you I would rather have all those matters decided for me. I shall be much happier to take everything as it is—just as you have been used to have it, or as you will yourself choose it to be. I have no motive for wishing anything else."

"O Dodo," said Celia, "will you not have the bow-windowed room up-stairs?"

Mr Casaubon led the way thither. The bow-window looked down the avenue of limes; the furniture was all of a faded blue, and there were miniatures of ladies and gentlemen with powdered hair hanging in a group. A piece of tapestry over a door also showed a blue-green world with a pale stag in it. The chairs and tables were thin-legged and easy to upset. It was a room where one might fancy the ghost of a tight-laced lady revisiting the scene of her embroidery. A light book-case contained duodecimo volumes of polite literature in calf, completing the furniture.

"Yes," said Mr Brooke, "this would be a pretty room with some new hangings, sofas, and that sort of thing. A little bare now."

"No, uncle," said Dorothea, eagerly. "Pray do not speak of altering anything. There are so many other things in the world that want altering—I like to take these things as they are. And you like them as they are, don't you?" she added, looking at Mr Casaubon. "Perhaps this was your mother's room when she was young."

"It was," he said, with his slow bend of the head.

"This is your mother," said Dorothea, who had turned to examine the group of miniatures. "It is like the tiny one you brought me; only, I should think a better portrait. And this one opposite, who is this?"