present, but their form lie will derive from a nobler time; nay, from beyond all time, from the absolute unchanging unity of his own nature."
But enough of this. Our complaint is already out of all proportion to our discontent.
Carlyle's works, it is true, have not the stereotyped success which we call classic. They are a rich but inexpensive entertainment, at which we are not concerned lest the host has strained or impoverished himself to feed his guests. It is not the most lasting word, nor the loftiest wisdom, but rather the word which comes last. For his genius it was reserved to give expression to the thoughts which were throbbing in a million breasts. He has plucked the ripest fruit in the public garden; but this fruit already least concerned the tree that bore it, which was rather perfecting the bud at the foot of the leaf-stalk. His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily. On a review we can never find the pages we had read. Yet they are in some degree true natural products in this respect. All things are but once, and never repeated. These works were designed for such complete success that they serve but for a single occasion.
