where settlers are scarce, and a man must at least go whistling to himself.
What he says of poetry is rapidly uttered, and suggestive of a thought, rather than the deliberate development of any. He answers your question, What is poetry? by writing a special poem, as that Norse one, for instance, in the Book of Heroes, altogether wild and original;—answers your question. What is light? by kindling a blaze which dazzles you, and pales sun and moon, and not as a peasant might, by opening a shutter.
Carlyle is not a seer, but a brave looker-on and reviewer; not the most free and catholic observer of men and events, for they are likely to find him preoccupied, but unexpectedly free and catholic when they fall within the focus of his lens. He does not live in the present hour, and read men and books as they occur for his theme, but having chosen this, he directs his studies to this end. If we look again at his page, we are apt to retract somewhat that we have said. Often a genuine poetic feeling dawns through it, like the texture of the earth seen through the dead grass and leaves in the spring. The History of the French Revolution is a poem, at length translated into prose,—an Iliad, indeed, as he himself has it,—"The destructive wrath of Sansculotism, this is what
