Page:Modern Greek folklore and ancient Greek religion - a study in survivals.djvu/154

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said explicitly that the supernatural quality of the Nereids lies not in their persons but in their raiment[1]; and for this reason a prince, smitten with love of the youngest of three sister Nereids but knowing not how to win her, is counselled by a wise woman, to whom he confides his perplexity, to lie in wait when they go to bathe in their accustomed pool and to steal the clothes of his inamorata, who would then follow him to recover her loss and so be in his power to take to wife. But there is greater delicacy and, as we shall see, more certain antiquity also in the commoner version of the episode, in which a kerchief alone is possessed of the magic powers ascribed above to the whole dress. And in this detail of costume the resemblance of bride and Nereid still holds good; for no wedding-dress would be complete without a kerchief either wrapped about the bride's head or pinned upon her breast or carried in her hand to form a link with her neighbour in the chain of dancers[2].

Of the stories which have for their motif the theft of such a kerchief from a Nereid[3] the following Messenian tale is a good example.

'Once upon a time there was a young shepherd who played the pipes so beautifully that the Nereids one night carried him off to the threshing-floor where they danced and bade him play to them. At first he was much afraid and thought that some evil would overtake him from being in their company and speaking with them. But gradually, as he grew accustomed to his strange surroundings and the Nereids showed themselves kind to him and grateful for his piping, he took courage again and night after night made his way to the spot which they haunted and made music till cock-crow.

Now it so happened that one of the Nereids was beautiful beyond the rest, and the shepherd loved her and determined to make her his wife. But inasmuch as the Nereids danced all night long without pause while he piped, and at dawn vanished to be seen no more until the next night's dance began, he knew not what to do., p. 123.]

  1. Hahn, Griech. Märchen, vol. I. no. 15. 'Ihre ganze Kraft steckt aber in den Kleidern, und wenn man ihnen die wegnimmt, so sind sie machtlos.'
  2. To form a chain of dancers the leader, who occupies the extreme right, is linked to the second in the row by a kerchief, while the rest merely join hands. More freedom of motion is thus allowed to the chief performer.
  3. Cf. also Hahn, Griech. Märchen, vol. II. no. 77. [Greek: Ant. Ballêndas, Kythniaka