name of 'good,' being obliged by the fear in which they hold her to give her this title of honour. Some people are of opinion that this goddess is one of the Oread nymphs who dwell in the mountains. . . .'
This 'goddess of the mountains' whom they call 'good' (i.e. probably [Greek: kalê]) is beyond doubt the same who was known to Psellus and to Allatius as [Greek: hê kalê tôn oreôn], 'the beautiful lady of the mountains,' and to my pastoral informant as [Greek: hê basilissa tôn bounôn], 'the queen of the mountains'; and in general the conception of her is the same as continues locally to the present day. One statement indeed I cannot explain, namely that the women make crosses on their doors with the purpose of attracting the goddess to their houses; for I have already mentioned the same use of the symbol for the contrary purpose of keeping the Nereids out[1]. Possibly as regards this detail of the 'foolish belief' the grand seigneur was wrongly informed. But in other respects, in the close association of the goddess with the Oreads or other nymphs, in the fear which she inspired, in the belief that she slew those who ventured upon her path, the Chian record is in complete agreement with the description which I have given from oral sources. In terror, as in charm, the Nereids' queen is foremost.
A contrary view however is taken by Bernard Schmidt[2], who states that she is pictured by the commonfolk as gentler and friendlier to man than her companions, and even disposed to check their light and froward ways. On such a point, I freely admit, local tradition might well vary; but in this particular case I am inclined to think that Schmidt fell into the error of confusing the wild-roaming, nymph-escorted goddess of hill and vale and fountain with that other goddess who dwells solitary in the heart of the mountain, dispensing blessings to the good and pains to the wicked, and in the conception of whom we found an aftermath of the ancient crop of legends concerning Demeter and Kore. Surely this grand and lonely figure, 'the Mistress of the Earth and of the Sea,' is in every trait different from the lovely, capricious, cruel 'Queen of the Mountains.' Indeed the very circumstance of both presentations being known in one and the same district*
