the ancient myth of Scylla and, we may perhaps add, of Charybdis; for here too the straits are the scene of alternative horrors, either the devouring of one man out of the crew or the sinking of the whole craft.
But in spite of the fusion of both Scylla and the Sirens with the Gorgons in the crucible of popular imagination, analysis of the complex modern conception still reveals two elements in the Gorgons' nature which vindicate their claim to their ancient name, their association with the sea and the terror that they inspire.
§ 13. The Centaurs.
[Greek: Anagkê Meta Touto To Tôn Hippokentaurôn Eidos Epanorthousai.]
Plato, Phaedrus, 7.
The Callicántzari ([Greek: Kallikantzaroi]) are the most monstrous
of all the creatures of the popular imagination, and none are
better known to the Greek-speaking world at large; for even
where educated men have ceased to believe in them, they still
figure in the stories told and retold to children with each recurring
New Year's Day; and, among the peasants, many reach
manhood or womanhood without outgrowing their early fears of
them.
The name Callicantzaros itself appears in many dialectic and widely differing forms, and there are also a multitude of local by-names. Of the former I shall treat later in discussing the origin of the word Callicantzaros, while the by-names, being for the most part descriptive of the appearance or qualities of these monsters, will be mentioned as occasion requires. But even where other local names are in common use, some form of the word Callicantzaros is almost always employed as well, or at least is understood.
As in the nomenclature, so too in the description of the Callicantzari, one locality differs very widely from another. And this cannot be merely a result of the wide distribution of the belief in them; for the Nereids certainly are equally widely known, and yet their appearance and habits are, broadly speaking, everywhere the same. The extraordinary divergences and even contradictions in different accounts of the Callicantzari demand
