Page:Modern Greek folklore and ancient Greek religion - a study in survivals.djvu/277

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established, are essentially genii. The Lamia is the genius of the darksome cave where she makes her lair; the Gorgon, of the straits where she waylays her prey; and, most clearly of all, the Dryads are the genii of the trees which they inhabit. For the life of each one of them is bound up with the life of the tree in which she dwells; and still as in old time, so surely as the tree decays away with age, her life too is done and 'her soul leaves therewith the light of the sun[1].' The woodman of to-day therefore speaks with the utmost fidelity to ancient tradition when he calls the trees where his Nereids dwell [Greek: stoicheiômena dentra], 'trees haunted by genii'; such innovation as there has been is in terminology only.

One word of caution only is required before we proceed to the consideration of various species of genii not yet described. It must not be assumed that all genii, on the analogy of the tree-nymphs, die along with the dissolution of their dwelling-places; the existence of the genius and that of the haunted object are indeed always closely and intimately united, but not necessarily in such a manner as to preclude the migration of the genius on the dissolution of its first abode into a second. The converse proposition however, that any object could enjoy prolonged existence after the departure from it of the indwelling power, may be considered improbable.

The genii with whom I now propose to deal fall into five main divisions according to their habitations. These are first buildings, secondly water, thirdly mountains, caves, and desert places, fourthly the air, fifthly human beings.

The genii of buildings are universally acknowledged in Greece. The forms in which they appear are various; this may partly be explained by the belief that they possess the power of assuming different shapes at will; but it is certain also that their normal shape is in some measure determined by the nature of the building—house, church, or bridge—of which each is the guardian.

The genius of a house appears almost always in the guise of a snake, or, according to Leo Allatius[2], of a lizard or other reptile. It is believed to have its permanent dwelling in the foundations, and

  1. Homeric Hymn to Aphrodite, 272. Cf. above, p. 156.
  2. De quor. Graec. opinat. cap. XXI.