doom by constant comparison of that which might have been with that which was? Or did each phrase in which the thoughts of marriage and of death were blended contain a further and a subtler appeal to his hearers' emotions? Did each phrase strike also a note which set vibrating in his listeners' hearts responsive chords of mystic hope?
For my part, as I draw near the end of these studies in Greek religion, I find it more and more difficult to set down as mere casual coincidences the close resemblances between Greece in the past and Greece in the present. I have found a belief in the supernatural beings of Ancient Greece still swaying the minds of the modern peasants; I have seen the customs of antiquity repeated alike in the small acts of every-day life and in the ceremonies of its greater events; I have heard the same thoughts expressed in almost the same turns of phrase as in ancient literature; I have traced the popular conceptions of the present day concerning the relations of body and soul, and their existence after death, back to native pre-Christian sources. Have I then not a right, am I not bound, to abjure coincidence and to claim for the past and the present real identity? When I find in Sophocles the same thought, almost the same words, which may be gathered to-day from the lips of any unlettered lament-maker the whole Greek world over, I am compelled by my conviction of the continuity of all things Greek to believe that Sophocles adapted to his own use a thought which in his time even as now was uttered in many a funeral-dirge, and that while the phrases of the Antigone gained in his hands a new lustre from the pathos of their setting, they themselves were not new nor the invention of Sophocles' genius, but an old heritage of the Greek race. Maybe it was that same thought which gave birth to the strange and but partially known legend of the death of Hymenaeus himself in the first moment of his wedded delight[1]; maybe it was in the same spirit that Prometheus foretold how Zeus himself should make such a marriage as should cast him down from his throne of tyranny and he be no more seen, in fulfilment of the curse uttered by Cronos when he was cast down into the unseen world[2].
