brated Spaniard, to whom his country did not offer sufficient security to allow him to die tranquilly in her bosom. A man averse to all party feeling, obedient to existing authority, whether of fact or of right, absorbed In his studies, teacher from his retirement of the purest morality, incapable of injuring any one, or of exciting disorder even indirectly, he had to wander forth many years, not proscribed, but driven away by apprehensions too justly entertained."
After his death there were several editions of his works published, both in France and Spain: the last one in the collection of Spanish authors by Rivadeneyra, Madrid 1848, as the last seems most correct and complete. This republication is more interesting, as also containing, in the same volume, the works of his father, Nicolas Moratin. It is to be regretted that other works of his, yet existing in manuscript, have not been added, especially the account of his travels.
Moratin was an exceedingly careful writer, and very fastidious in the correction of his verses. His admirers, especially those of the classic school, have praised him as á great lyric poet, even superior to Melendez. This, however, he felt was not just; and without derogating from his merits, we must pronounce him far inferior to that eminent poet, whose works surpassed all that had preceded him in Spanish poetry. The fame of Moratin must rest on his plays, into which, however, it is not the object of this work to enter, confined as it is to lyric poetry. They are only five in number, and, like Sheridan's, are remarkable for neatness and elegance of dialogue, as much as for incident and character. The Spanish theatre owes all its subsequent merit to Moratin; he reformed the taste of the times by giving the stage better works than it had previously possessed, and assuredly was thus one of the greatest public benefactors of his age.
