consideration. On the contrary, he intimates that he considers it of primary importance, as if "whether a statue should be made of wax or marble." Thus he made cadence a principal study, and his verses becoming thereby better adapted for music, obtained greater vogue in the higher circles by means of accompaniments. Some even seem to have been expressly written for that purpose; for instance, among other pieces of a domestic character, one, a very pleasing Recitative, in which his wife and daughter join him in thanksgiving for his recovery from a dangerous illness. Though generally far from being impassioned, some of his verses are full of tender feeling, as the ' Young Sailor's Farewell/ This may be pronounced the most popular piece of modern poetry in Spain, being most in the memories of those whom he himself calls "the natural judges in these matters, the youth of both sexes, in whose lively imagination and sensible hearts may find better acceptation, the only two gifts with which I may rejoice to have endowed my verses, naturalness and harmony."
Arriaza must have acquired in his youth the rudiments of a sound education, and he was distinguished in later life for a knowledge of the French, Italian and English languages. Still he was not considered by his contemporaries as a person of extensive reading; and thus we do not find in his works any allusions or illustrations of a classical character, though it is almost ludicrous to observe with what pertinacity he introduces the personages of the heathen mythology, on all occasions where he can do so. Some of his ideas also run into the ridiculous, as in one of his best pieces, 'La Profecia del Pirineo,’ he says, that on the heroic defenders of Zaragoza "there were at once on their faithful brows raining bombs and laurels."
The Ode to Trafalgar, notwithstanding its being liable to
