Christian population left of necessity among the Moors, who thus became dangerous as internal enemies, though they had been tolerated at first as valuable dependents. The war that then arose in Spain, and continued for upwards of 600 years, was imbued, on the part of the Christians, with all those ingredients of religious as well as patriotic feeling that render wars remarkable for desperate conflict. On the part of the Moors, it is but justice toward them to say, that for chivalrous honour and bravery they proved themselves in no respect inferior to their opponents, who, thus engaged in generous rivalry, became distinguishable for the same virtues.
The circumstances of the wars between the Christians and the Moors were too near to the every-day experience of the people to allow of any imaginary addition to the legends of the times, and they were too engrossing in importance and interest to require any heightening. The ballads founded upon them, therefore, assumed almost the matter-of-fact air of history, and this seemed hence to become the characteristic of all the subsequent literature of Spain. It is true that romances abounded in which giants and other absurdities of knight-errantry might be found, but they were principally of foreign origin, and did not become incorporated in the national poetry. This national poetry was always true to its mission, for it may be observed that the poets of Spain have seldom or never gone beyond their own history for their heroes; they have rather instinctively followed the maxim of the great lyrist of old, not to select objects of admiration from strangers, but to seek them at home,—
Οὐδ᾽ ἀλλοτρἰων ἔρωτες
Ἀνδρὶ φέρειν κρέσσονες,
Οἰκόθεν μάτευε.
Thus also they were secure of the sympathy of their audience, and found patriotism the best inspirer of poetry.
