a bailey or outer court where the rain had made the gravel very miry, and came on the other side to a door which led by steps into a large hall. This building had once been a banquet-room, I think, for there was an inscription over it very plain in lead: "He led me into his banquet hail, and his banner over me was love."
I had time to read this while the turnkey unlocked the door with one of a heavy bunch of keys that he carried at his girdle. But when we entered, what a disappointment!—for there were no banquets now, no banners, no love, but the whole place gutted and turned into a barrack for French prisoners. The air was very close, as where men had slept all night, and a thick steam on the windows. Most of the prisoners were still asleep, and lay stretched out on straw palliasses round the walls, but some were sitting up and making models of ships out of fish-bones, or building up crucifixes inside bottles, as sailors love to do in their spare time. They paid little heed to us as we passed, though the sleepy guards, who were lounging on their matchlocks, nodded to our conductor, and thus we went right through that evil-smelling whitewashed room. We left it at the other end, went down three steps into the open air again, crossed another small court, and so came to a square building of stone with a high roof like the large dovecots that you may see in old stackyards.
Here our guide took another key, and, while the door was being opened, Elzevir whispered to me, "It is the well-house," and my pulse beat quick to think we were so near our goal.
The building was open to the roof, and the first thing to be seen in it was that tread-wheel of which Elzevir
