works of ancient or modern art, which the sculptors did but imperfectly succeed in putting into marble; for it is not to be supposed that the pure idea of an immortal creation ceases to exist; it is only necessary to know where they are deposited in order to obtain possession of them.--In the alcoves of another vast apartment was arranged a splendid library, the volumes of which were inestimable, because they consisted, not of actual performances, but of the works which the authors only planned, without ever finding the happy season to achieve them. To take familiar instances, here were the untold tales of Chaucer's Canterbury Pilgrims; the unwritten cantos of the Fairy Queen; the conclusion of Coleridge's Christabel; and the whole of Dryden's projected epic on the subject of King Arthur. The shelves were crowded; for it would not be too much to affirm that every author has imagined and shaped out in his thought more and far better works than those which actually proceeded from his pen. And here, likewise, where the unrealized conceptions of youthful poets who died of the very strength of their own genius before the world had caught one inspired murmur from their lips.
When the peculiarities of the library and statue-gallery were explained to the Oldest Inhabitant, he appeared infinitely perplexed, and exclaimed, with more energy than usual, that he had never heard of such a thing within his memory, and, moreover, did not at all understand how it could be.
"But my brain, I think," said the good old gentleman, "is getting not so clear as it used to be. You young folks, I suppose, can see your way through these strange matters. For my part, I give it up."
"And so do I," muttered the Old Harry. "It is enough to puzzle the --Ahem!"
