Germany Unmasked
ANOTHER month of revelations and reticences, of carnage and destruction, loss and gain, with the miracle of the Marne as the first great sign of the turning of the tide. On September 3 the Paris Government moved to Bordeaux, on the 5th the retreat from Mons ended, on the 13th Joffre, always unboastful and laconic, announced the rolling back of the invaders, on the 15th the battle of the Aisne had begun. What an Iliad of agony, endurance and heroism lies behind these dates—the ordeal and deliverance of Paris, the steadfastness of the "Contemptibles," the martyrdom of Belgium!
Day by day Germany unmasks herself more clearly in her true colours from highest to lowest. The Kaiser reveals himself as a blasphemer and hypocrite, the Imperial crocodile with the bleeding heart, the Crown Prince as a common brigand, the High Command as chief instigators to ferocity, the rank and file as docile instruments of butchery and torture, content to use Belgium women as a screen when going into action.
THE TWO GERMANIES
Marvellous the utter transformation
Of the spirit of the German nation!
Once the land of poets, seers and sages,
Who enchant us in their deathless pages,
Holding high the torch of Truth, and earning
Endless honour by their zeal for learning.
Such the land that in an age uncouther
Bred the soul-emancipating Luther.
Such the land that made our debt the greater
By the gift of Faust and Struwwelpeter.
Now the creed of Nietzsche, base, unholy,
Guides the nation's brain and guides it solely.
Now Mozart's serene and joyous magic
Yields to Richard Strauss, the hæmorrhagic.[1]
- ↑ Great play is made in Strauss's Elektra with the "slippery blood" motive.
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