all sides, and give it to the world in verse. Mary notes the books they read, and their visits in the evening to Diodati, where she became accustomed to the sound of Byron's voice, with Shelley's always the answering echo, for she was too awed and timid to speak much herself. These conversations caused her, subsequently, when hearing Byron's voice, to feel a sad want for " the sound of a voice that is still."
It is during this sojourn by the Swiss Lake that Mary began her first serious attempt at literature. Being asked each day by Shelley whether she had found a story, she answered ec No/' till one evening after listening to a conversation between Byron and Shelley on the principle of life whether it would be discovered, and the power of communicating life be acquired "perhaps a corpse might be reanimated; galvanism had given tokens of such things" she lay awake, and with the sound of the lake and the sight of the moonlight gleaming through chinks in the shutters, were blended the idea and the figure of a student engaged in the ghastly work of creating a man, until such a horror came to light that he shrank in fear from his own performance. Such was the original idea for this imaginative work of a girl of nineteen, which has held its place among conspicuous works of fiction to the present day. Frankenstein was the outcome of the project before mentioned of writing tales of horror. One night, when pouring rain detained Shelley's party at the Villa Diodati over a blazing fire, they told strange stories, till Byron, leading to poetic ideas, recited the witch's scene from "Christabel," which so excited Shelley's imagination that he shrieked, and ran from the room ; and Polidori writes that
