of conversation were tabooed, had it not been for one light-hearted and amusing friend, Thomas Jefferson Hogg, a gentleman whose acquaintance Shelley made shortly after his settling in Oxford in the Michaelmas term of 1810. This friendship, like all that Shelley entered on, was intended to endure "for ever," and, as usual, Shelley impulsively for a time threw so much of his own personality into his idea of the character of his friend as to prepare the way for future disappointment.
Hogg was decidedly intellectual, but with a strong conservative tendency, making him quite content with the existing state of things so long as he could take life easily and be amused. His intellect, however, was clear enough to make him perceive that it is the poet who raises life from the apathy which assails even the most worldly-minded and contented, so that he in his turn was able to love Shelley with the love which is not afraid of a laugh, without the possibility of which no friendship, it has been said, can be genuine. Many are the charming stories giving a living presence to Shelley while at Oxford, preserved by this friend; here we meet with him taking an infant from its mother's arms while crossing the bridge with Hogg, and questioning it as to its previous existence, which surely the babe had not had time to forget if it would but speak—but alas, the mother declared she had never heard it speak, nor any other child of its age; here comes also the charming incident of the torn coat, and Shelley's ecstasy on its having been fine drawn. These and such-like amusing anecdotes show the genuine and unpedantic side of Shelley's character, the delightfully natural and loveable personality which is ever allied to genius. With the fun and humour
