were irregular. The Ashadbi Yatra was an ancient event where all the saint poets of Maharashtra used to assemble. This Yatra of Pandharpur has taken place with clock-work precision for the last two thousand years. People observe a fast on Mabaekadashi. They go to Pandharpur on foot and on empty stomachs. This yatra was actually a literary conference where saint poets would meet each other.
In order to highlight the dependence of modern literary conferences on donors and their irregularity compared to the clock-work regularity of the Maha Ekadashi Yatra, Vinoba expressed his views in one sentence. He said that modern conferences are based on rice, while Ashadhi is based on fasting. Ashadhi therefore meets regulary. The real pungency of Vinoba’s sentence can be felt only in Marathi.
At the end of his talks on Gita Vinoba used a beautiful simile. As long as a man is searching for meaning in his life he continues talking of “I’, (or “main” in Hindi). He goes on calling “Main, Main’like a living goat. He is full of this ego or pride in himself. But as he approaches nearer the ultimate reality (Brahman), and dies, he discards this body as “I”. Like the same proverbial goat he starts calling “thi” “tubi”, “you” “you” (twam, twam) only. The intestines of the goat when used for musical sitar the same goat changes the tune form “Main”, “Main” to “Tubi” “Tubi”. Pranav, when you read this in the Indian context in Hindi or Marathi, you will realise how beautifully Vinoba has played on the words “Main” and “tubi”. He took this quote from Dadu, a saint poet in Hindi(1).
He ended his talks on that note. That again is the Mabavakya of Shankaracharya and Adwait philosophy: “Tat Twam Asi” “That thou art”.
With love,
Yours, L.N. Godbole
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