Though I had an admission card to the reviewing stand I preferred to remain among the people, to feel myself a part of the great hosts that had brought about the world event. This was their day—the day of their making. Yet—they seemed peculiarly quiet, oppressively silent. There was no joy in their singing, no mirth in their laughter. Mechanically they marched, automatically they responded to the claqueurs on the reviewing stand shouting "Hurrah" as the columns passed.
In the evening a pageant was to take place. Long before the appointed hour the Uritski Square down to the palace and to the banks of the Neva was crowded with people gathered to witness the open-air performance symbolizing the triumph of the people. The play consisted of three parts, the first portraying the conditions which led up to the war and the rôle of the German Socialists in it; the second reproduced the February Revolution, with Kerensky in power; the last—the October Revolution. It was a play beautifully set and powerfully acted, a play vivid, real, fascinating. It was given on the steps of the former Stock Exchange, facing the Square. On the highest step sat kings and queens with their courtiers, attended by soldiery
