growth and diversity of the interpretive artist. Plays should therefore be improvised, thereby affording greater scope to spontaneity, inspiration, and mood of the artist. It is a novel experiment, but as the improvised plays must also keep within the limits of the State censorship, the work of the Semperantists suffers from a lack of ideas.
The most interesting cultural endeavour I met in Kiev was the work of the Jewish Kulturliga. Its nucleus was organized in 1918 to minister to the needs of pogrom victims. They had to be provided for, sheltered, fed, and clothed. Young Jewish literary men and an able organizer brought the Kulturliga to life. They did not content themselves with ministering only to the physical needs of the unfortunates. They organized children's homes, public schools, high schools, evening classes; later a seminary and art school were added. When we visited Kiev the Kulturliga owned a printing plant and a studio, besides its other educational institutions, and had succeeded in organizing 230 branches in the Ukraina. At a literary evening and a special performance arranged in honour of the Expedition we were able to witness the extraordinary achievements of the Kulturliga.
