himself out of the black void. Light begins to break. Again a thunderous voice rolls over the earth. It is the voice of fulfilment.
It was a stirring artistic achievement.
When the Liga was first organized the Bolsheviki subsidized its work. Later, when they returned to Kiev after its evacuation by Denikin, they gave very scanty support to the educational institutions of the Kulturliga. This unfriendly attitude was due to the Yevkom, the Jewish Communist Section, which intrigues against every independent Jewish cultural endeavour. When we left Kiev the ardent workers of the Liga were much worried about the future of the organization. I am not in a position to say at this writing whether the Liga was able to continue its work or was closed altogether. However, laudable as were the innovations of the Kulturliga and the attempts of the Kamerney and Semperante at new modes of expression, they could not be considered as having any bearing on the Revolution.
State support to so-called art is given mostly to Lunacharsky's dramatic ventures and other Communist interpretations of culture. When I first met Lunacharsky I thought him much less the politician than the artist. I heard him lec-
