nation and the paralysis of all creative endeavour. If such a debacle is to be avoided in the future, the cultural forces, while remaining rooted in the economic soil, must yet retain independent scope and freedom of expression. Not adherence to the dominant political party but devotion to the revolution, knowledge, ability, and—above all—the creative impulse should be the criterion of fitness for cultural work. In Russia this was made impossible almost from the beginning of the October Revolution, by the violent separation of the intelligentsia and the masses. It is true that the original offender in this case was the intelligentsia, especially the technical intelligentsia, which in Russia tenaciously clung—as it does in other countries—to the coat-tails of the bourgeoisie. This element, unable to comprehend the significance of revolutionary events, strove to stem the tide by wholesale sabotage. But in Russia there was also another kind of intelligentsia—one with a glorious revolutionary past of a hundred years. That part of the intelligentsia kept faith with the people, though it could not unreservedly accept the new dictatorship. The fatal error of the Bolsheviki was that they made no distinction between the two elements. They met sabotage with whole-
