Kotmasu agrees readily enough, no doubt thinking that there is still a chance of our dropping in, later on, at the Willow Tree Theatre, to see the famous geishas from Yeddo.
To get down into the town at night is a matter of some difficulty, the path being so rough and unlighted. Of course, we carry lanterns—nearly every one does at night—and one constantly meets processions of families or friends, out either for a walk or on their way to some place of amusement, all carrying paper lanterns of various colours, and giving a pretty, fantastic effect to the dark roads and narrow streets of the town.
It is far more interesting to go down into the older quarter of the town, the true Japanese, if so I may call it—the native quarter unalloyed by European customs and commerce.
Mousmé leaves us for an instant to look
