Reece was a pastmaster in the deeper mysteries of the art for he told me he used to ride colts in the hunting field in England and "that's how you learn to know horses" he added significantly.
One day I found out that Dell knew some poetry, literature too, and economics and that won me completely; when I asked them would they take me with them as a cowboy, they told me I'd have to ask the Boss, but there was no doubt he'd consent, and he consented, after one sharp glance.
Then came my hardest task: I had to tell Kendrick and Mr. Cotton that I must leave. They were more than astonished: at first they took it to be a little trick to extort a rise in salary: when they saw it was sheer boyish adventure-lust they argued with me but finally gave in. I promised to return to them as soon as I got back to Chicago or got tired of cowpunching. I had nearly eighteen hundred dollars saved, which, by Mr. Cotton's advice, I transferred to a Kansas City bank he knew well.
LIFE ON THE TRAIL.
On the tenth of June, we took train to Kansas City, the Gate at that time of the "Wild West". In Kansas City I became aware of three more men belonging to the outfit: Bent, Charlie and Bob, the Mexican. Charlie, to begin with the least important, was a handsome American youth, blue-eyed and fair-haired, over six feet in height, very strong, careless, light-hearted: I always thought of him as a big, kind, Newfoundland dog, rather awkward but always well-meaning. Bent was ten years older, a war-veteran, dark, saturnine, purposeful; five feet nine or ten in height with muscles of whipcord and a mentality that was curiously difficult to fathom. Bob, the most peculiar and original man I had every met up to
