work of Hephæstus," like other articles of jewellery, were not thinking of the bright sky when they repeated the story. They were merely strengthening some ancient family or tribal tradition by attaching it to the name of a great, powerful, personal being, immortal and accomplished to perfection in all the supernatural arts of the sorcerer. This being, not the elemental force that was Zeus, not the power "making for righteousness" that is Zeus, not the pure spiritual ruler of the world, the Zeus of philosophy, is the hero of the myths that have been investigated.
In the tales that actually won their way into national literature, beginning with Homer, there is observable the singular tendency to combine, in one figure, the highest religious ideas with the fables of a capricious, and often unjust and lustful supernatural being. Taking the myths first, their contrast with the religious conception of Zeus will be the more remarkable.
Zeus is the king of all gods and father of some, but he cannot keep his subjects and family always in order. In the first book of the Iliad, Achilles reminds his mother, the sea-nymph Thetis, how she once "rescued the son of Cronus, lord of the storm-clouds, from shameful wreck, when all other Olympians would have bound him, even Hera, and Poseidon, and Pallas Athene." Thetis brought the hundred-handed Briareus to the help of the out-numbered and over-mastered Zeus. Then Zeus, according to the Scholiast, hung Hera out of heaven in chains, and gave Apollo and Poseidon for slaves to Laomedon, king of Troy. So lively was the recollection of this coup d'état in
