fair humanities of old religion boast no figure more beautiful; yet he, too, bears the birth-marks of ancient creeds, and there is a shadow that stains his legend and darkens the radiance of his glory.
Artemis.
If Apollo soon disengages himself from the sun, and appears as a deity chiefly remarkable for his moral and prophetic attributes, Artemis retains as few traces of any connection with the moon. "In the development of Artemis may most clearly be distinguished," says Claus, "the progress of the human intellect from the early, rude, and, as it were, natural ideas, to the fair and brilliant fancies of poets and sculptors."[1] There is no goddess more beautiful, pure, and maidenly in the poetry of Greece. There she shines as the sister of Apollo; her chapels are in the wild wood; she is the abbess of the forest nymphs, "chaste and fair," the maiden of the precise life, the friend of the virginal Hippolytus; always present, even if unseen, with the pure of heart.[2] She is like Milton's lady in the revel rout of the Comus, and among the riot of Olympian lovers she alone, with Athene, satisfies the ascetic longing for a proud remoteness and reserve. But though it is thus that the poets dream of her, from the author of the Odyssey to Euripides, yet the local traditions and cults of Artemis, in many widely separated districts, combine her worship and her legend
- ↑ De Dianæ Antiquissima apud Græcos Natura, Vratislaviæ, 1881.
- ↑ Hippolytus, Eurip., 73–87.
