maize, again (Cinteotl, son of the maize-goddess), had rites resembling those of the Greek Pyanepsion and Eiresione. The Aztecs used to make an image of the god, and offer it all manner of maize and beans.[1] Curiously enough, the Greeks also regarded their Pyanepsion as a bean-feast. A more remarkable analogy is that of the Peruvian Mama Cora, the figure of a goddess made of maize, which was asked "if it hath strength sufficient to continue until the next year," and of which the purpose was, "that the seed of the maize may not perish."[2] This corn image of the corn-goddess, preserved through all the year and replaced in the next year by a fresh image, is the Attic Εἰρεσιώνη, a branch of olive hung with a loaf and with all the fruits of the season, and set up to stand for all the year in front of each house. "And it remains for a year, and when it is dry and withered, next year they make a fresh one."[3] Children were sacrificed in Mexico to this deity. In the rites of a goddess of harvest, as has been said, torches were borne by the dancers, as in the Eleusinia; and in European and Oriental folklore.[4] Demeter was the Greek harvest goddess, in whose rites torches had a place. One of her names is Demeter Erinnys. Mr. Max Müller recognises Erinnys as the dawn. Schwartz connects Demeter Erinnys with the thunderstorm. The torch in the hand of Demeter is the lightning, according to Schwartz. It is interesting,
