Page:Napoleon (O'Connor 1896).djvu/23

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Taine's Portrait.
7

"When dictating in his cabinet he strides up and down the room,' and 'if excited,' which is often the case, 'his language consists of violent imprecations and oaths, which are suppressed in what is written.' But these are not always suppressed, and those who have seen the original minutes of his correspondence on ecclesiastical affairs find dozens of them of the coarsest kind. . . .

"When dressing himself, he throws on the floor or into the fire any part of his attire which does not suit him. . . . On gala days, and on grand ceremonial occasions, his valets are obliged to agree together when they shall seize the right moment to put something on him. . . . He tears off or breaks whatever causes him the slightest discomfort, while the poor valet who has been the cause of it receives a violent and positive proof of his anger. No thought was ever carried away more by its own speed. 'His hand-writing,' when he tries to write, 'is a mass of disconnected and undecipherable signs; the words lack one half of their letters.' On reading it over himself he cannot tell what it means. At last he becomes almost incapable of writing an autograph letter, while his signature is a mere scrawl. He accordingly dictates, but so fast that his secretaries can scarcely keep pace with him. On their first attempt the perspiration flows freely, and they succeed in noting down only the half