knocked. There was a wicket in this door, which I examined with curiosity. My state of mind was such that I seemed to be outside the place of eternal imprisonment, and involuntarily I raised my eyes to see whether I could not read over the door that inscription of Dante's, ' Lasciate ogni speranza voi ch' entrate' An usher, who had looked through the wicket, opened the door after some words with the footman, and I was shown into a small drawing-room poorly lighted. Whilst I was being announced I cast a rapid glance around the room, being anxious to acquaint myself with what was to be my prison. The furniture consisted of some chairs covered with green morocco, and a very luxurious roll-top writing-table, which was loaded with gilt bronze ornaments, and inlaid with rosewood mosaics representing various musical instruments. I afterwards learned that these pieces of furniture had belonged to Louis XVI. It was subsequently sent to the garde meuble as useless. A low book-case ran round one side of the room. Some papers were scattered on the top."
IV.
MÉNEVAL STARTS WORK.
"I was announced, and immediately afterwards was ushered into a room, where I saw the First Consul seated behind a writing-table. A threebranched flambeau, covered with a shade, cast
