CHAPTER XXX.
A Professor of the Fine Arts—His Persecutions—Something about Tattooing and Tabooing—Two Anecdotes in illustration of the latter—A few thoughts on the Typee Dialect.
In one of my strolls with Kory-Kory, in passing along the border of a thick growth of bushes, my attention was arrested by a singular noise. On entering the thicket I witnessed for the first time the operation of tattooing as performed by these islanders.
I beheld a man extended flat upon his back on the ground, and, despite the forced composure of his countenanee, it was evident that he was suffering agony. His tormentor bent over him, working away for all the world like a stone-cutter with mallet and chisel. In one hand he held a short slender stick, pointed with a shark's tooth, on the upright end of which he tapped with a small hammer-like piece of wood, thus puncturing the skin, and charging it with the colouring matter in which the instrument was dipped. A cocoa-nut shell containing this fluid was placed upon the ground. It is prepared by mixing with a vegetable juice the ashes of the "armor," or candle-nut, always preserved for the purpose. Beside the savage, and spread out upon a piece of soiled tappa, were a great number of curious black-looking little implements of bone and wood, used in the various divisions of his art. A few terminated in a single fine point, and, like very delicate pencils, were employed in giving the finishing touches, or in operating upon the more sensitive portions of the body, as was the case in the present instance. Others presented several points distributed in a line, somewhat resembling the teeth of a saw. These were employed in the coarser parts of the work, and particularly in pricking in straight marks. Some presented their points disposed in small figures, and being placed upon the body, were, by a single blow of the hammer, made to leave their indelible impression. I
