ulterior purpose, but it is an extension of the family and the obligations of the heart in a wide field of space and time. The ideal of "maitri" is at the bottom of your culture,—"maitri" with men and "maitri" with Nature. And the true expression of this love is in the language of beauty, which is so abundantly universal in this land. This is the reason why a stranger, like myself, instead of feeling envy or humiliation before these manifestations of beauty, these creations of love, feels a readiness to participate in the joy and glory of such revealment of the human heart.
And this has made me all the more apprehensive of the change, which threatens Japanese civilization, as something like a menace to one's own person. For the huge heterogeneity of the modern age, whose only common bond is usefulness, is nowhere so pitifully exposed against the dignity and hidden power of reticent beauty, as in Japan.
But the danger lies in this, that organized ugliness storms the mind and carries the day by its mass, by its aggressive persistence, by its