Page:Native Tribes of South-East Australia.djvu/444

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418
NATIVE TRIBES OF SOUTH-EAST AUSTRALIA
CH.

from time immemorial, or have been brought from an unknown distance.

According to the tribes near Maryborough (Queensland), it is Birral who inspires the makers of corrobboree songs.[1]

The medicine-men who made songs in the Turrbal tribe either obtained them when they went underground, or when they went up in the air. But there were other men who made songs under ordinary circumstances in their camps.[2] The former class of men had clearly the attributes of the medicine-men, perhaps of the Birraark.

I found an interesting example of the "inspired song" in the Wurunjerri tribe. According to Berak, it was composed by Wenberi, the henchman of the Ngurungaeta (Headman) Bebejan, Berak's father, to lament the death of his brother by evil magic, near Geelong. This is a good instance of that class of song, and also of the belief of the composer, that he was inspired by something more than mortal when composing it. In this case it is Bunjil himself who "rushes down" into the breast of the singer.

Once when I asked for the origin of a song, it was said that the person who sang it "got it from his grandfather, who got it from his parents, who got it from the old people, who got it from Bunjil."

I am under very great obligations to the Rev. Dr Torrance for most kindly writing down the music of this, and two other songs, from the lips of the singer Berak, and for his most valuable remarks on them and on the singer's musical powers, which follow:—

"Being the result of but a single interview with a native bard, the particulars here noted are of necessity imperfect and superficial. Such as they are, however, it is hoped that they may prove of some little historic value, and lead to further inquiry into a subject which cannot fail to be one of interest to the anthropological student.

"Generally speaking, the rude attempt at melody exhibited by those untaught natives may be described as a kind of nasal monotone or chant, usually preceded by a downward progression somewhat resembling the 'intonation'

  1. H. E. Aldridge.
  2. Tom Petrie.