Page:Newton's Principia (1846).djvu/65

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life of sir isaac newton.
57

heard him censure the handling geometrical subjects by algebraic calculations; and his book of Algebra he called by the name of Universal Arithmetic, in opposition to the injudicious title of Geometry, which Descartes had given to the treatise, wherein he shows how the geometer may assist his invention by such kind of computations. He thought Huygens the most elegant of any mathematical writer of modern times, and the most just imitator of the ancients. Of their taste and form of demonstration, Sir Isaac always professed himself a great admirer. I have heard him even censure himself for not following them yet more closely than he did; and speak with regret of his mistake at the beginning of his mathematical studies, in applying himself to the works of Descartes and other algebraic writers, before he had considered the elements of Euclid with that attention which so excellent a writer deserves."

"Though his memory was much decayed," continues Dr. Pemberton, "he perfectly understood his own writings." And even this failure of memory, we would suggest, might have been more apparent than real, or, in medical terms, more the result of functional weakness than organic decay. Newton seems never to have confided largely to his memory: and as this faculty manifests the most susceptibility to cultivation; so, in the neglect of due exercise, it more readily and plainly shows a diminution of its powers.

Equanimity and temperance had, indeed, preserved Newton singularly free from all mental and bodily ailment. His hair was, to the last, quite thick, though as white as silver. He never made use of spectacles, and lost but one tooth to the day of his death. He was of middle stature, well-knit, and, in the latter part of his life, somewhat inclined to be corpulent. Mr. Conduit says, "he had a very lively and piercing eye, a comely and gracious aspect, with a fine head of hair, white as silver, without any baldness, and when his peruke was off was a venerable sight." According to Bishop Atterbury, "in the whole air of his face and make there was nothing of that penetrating sagacity which appears in his compositions. He had something rather languid in his look and manner which did not raise any great expectation