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NIGHT AND DAY
99

and checked herself. Her mother always stirred her to feel and think quickly, and then she remembered that her father was there, listening with attention.

“What is it you wish?” he asked, as she paused.

He often surprised her, thus, into telling him what she had not meant to tell him; and then they argued, while Mrs. Hilbery went on with her own thoughts.

“I wish mother wasn’t famous. I was out at tea, and they would talk to me about poetry.”

“Thinking you must be poetical, I see—and aren’t you?”

“Who’s been talking to you about poetry, Katharine?” Mrs. Hilbery demanded, and Katharine was committed to giving her parents an account of her visit to the Suffrage office.

“They have an office at the top of one of the old houses in Russell Square. I never saw such queer-looking people. And the man discovered I was related to the poet, and talked to me about poetry. Even Mary Datchet seems different in that atmosphere.”

“Yes, the office atmosphere is very bad for the soul,” said Mr. Hilbery.

“I don’t remember any offices in Russell Square in the old days, when Mamma lived there,” Mrs. Hilbery mused, “and I can’t fancy turning one of those noble great rooms into a stuffy little Suffrage office. Still, if the clerks read poetry there must be something nice about them.”

“No, because they don’t read it as we read it,” Katharine insisted.

“But it’s nice to think of them reading your grandfather, and not filling up those dreadful little forms all day long,” Mrs. Hilbery persisted, her notion of office life being derived from some chance view of a scene behind the counter at her bank, as she slipped the sovereigns into her purse.

“At any rate, they haven’t made a convert of