was incapable of selecting the beauties of Blake; his effusions were not generally felt; and in this opinion I am borne out in the frequent assertions of Fuseli and Flaxman. It would, therefore, be unreasonable to expect the book-sellers to embark in publications not likely to meet remuneration. Circumstanced, then, as Blake was, approaching to threescore years and ten, in what way was he to persevere in his labours? Alas, he knew not! until the liberality of Mr. Linnel, a brother-artist of eminence, whose discernment could well appreciate those parts of his designs which deserved perpetuity, enabled him to proceed and execute in comfort a series of twenty-one plates, illustrative of the Book of Job. This was the last work he completed, upon the merits of which he received the highest congratulations from the following Royal Academicians: Sir Thomas Lawrence, Mr. Baily, Mr. Philips, Mr. Chantrey, Mr. James Ward, Mr. Arnald, Mr. Collins, Mr. Westmacott, and many other artists of eminence.
As to Blake's system of colouring, which I have not hitherto noticed, it was in many instances most beautifully prismatic. In this branch of the art he often acknowledged Apelles to have been his tutor, who was, he said, so much pleased with his style, that once when he appeared before him, among many of his