Gylfaginning (the deluding of Gylfe), and the Bragaræður or Skáldskaparmál (the conversations of Brage, the god of poetry, or the treatise on poetry). Gylfaginning tells how the Swedish king Gylfe makes a journey to Asgard, the abode of the gods, where Odin instructs him in the old faith, and gradually relates to him the myths of the Norsemen. The manner in which the whole is told reminds us of A Thousand and One Nights, or of poems from a later time, as for instance Boccaccio's Decameron. It is a prose synopsis of the whole Asa faith, with here and there a quotation from the Elder Edda by way of elucidation. It shows a great deal of ingenuity and talent on the part of its author, and is the most perspicuous and clear presentation of the mythology that we possess.
But all the material for the correct presentation of the Norse mythology is not found in the Eddas; or rather we do not perfectly understand the Eddas, if we confine our studies to them alone. For a full comprehension of the myths, it is necessary to study carefully all the semi-mythological Icelandic Sagas, which constitute a respectable library by themselves; and in connection with these we must read the Anglo-Saxon Beowulf's Drapa, and the German Niebelungen-Lied. In the next place, we must examine carefully all the folk-lore of the Gothic race, and we must, in short, study the manifestations of the Gothic mind and spirit everywhere: in the development of the State and of the Church, in their poetry and history, in their various languages and numerous dialects, in their literature, in their customs and manners, and in their popular belief. If we neglect all these we shall never understand the Eddas; if we neglect the Eddas we shall never understand the other sources of
