Women came after death to Freyja. When Egil Skallagrimson had lost his young son, and was despairing unto death on this account, his daughter Thorgerd, who was married to Olaf in Lax-aa-dal, comes to console him; and when she hears that he will neither eat nor drink, then she also says that she has not and will not eat or drink before she comes to Freyja. With her, lovers who have been faithful unto death are gathered; therefore Hagbard sings: Love is renewed in Freyja's halls.
Freyja is the goddess of love between man and woman. Hence we find in her nature, beauty, grace, modesty, the longings, joys, and tears of love, and we find also that burning love in the heart which breaks out in wild flames. She rules in Folkvang, in the human dwellings, where there are seats enough for all. No one escapes her influence. Odin shares the slain equally with her, for the hero has two grand objects in view—to conquer his enemy and to win the heart of the maiden.
Thus the Norse mythology teaches us that the sturdy Norseman was not insusceptible to impressions from beauty nor unmoved by love. The most beautiful flowers were named after Freyja's hair and eye-dew, and even animate objects, which, like the flowers, were remarkable for their beauty, were named after this goddess, as for instance the butterfly (Icel. Freyjuhœna—Freyja's hen).
There is a semi-mythological Saga called Orvarodd's Saga. Orvarodd signifies Arrow-odd; and as this same Arrow-odd is implicated in a large number of love exploits, it has been suggested that he may be Freyja's husband, whose name the reader remembers was Oder, the stem of which is od, and hence we have in the North also not only a goddess of love, but also a god of love (Cupid), with his arrows!
