- ness and with itself. When light arose out of darkness,
it was greeted with enthusiasm; when it sank again into darkness, its rays were broken and it dissolved in glimmering colors; and if he looked down into the heart of man, into his own breast, he found that all this conflict of opposing elements in the outward world did but faintly symbolize that terrible warfare pervading and shattering his whole being. Well might he long for peace, and can we wonder that this deep longing for rest and peace, which filled his heart in the midst of all his struggles,—can we wonder, we say, that his longing for peace found a grand expression in a final conflict through which imperishableness and harmony were attained?
This final conflict, this dissolution of nature's and life's disharmony, the Edda presents to us in the death of the gods, which is usually, as stated, called Ragnarok.
There is nothing more sublime in poetry than the description, in the Eddas, of Ragnarok. It is preceded by ages of crime and terror. The vala looks down into Niflheim,
There saw she wade
In the heavy streams
Men—foul murderers,
And perjurers,
And them who other's wives
Seduce to sin.
The growing depravity and strife in the world proclaim the approach of this great event. First there is a winter called Fimbul-winter, during which snow will fall from the four corners of the world; the frosts will be very severe, the winds piercing, the weather tempestuous, and the sun will impart no gladness. Three such winters shall pass away without being tempered
