and falls poisoned by the serpent's breath; and the body of the good and beautiful Balder is consumed in the flames of his funeral pile. The Greek dwelt in bright and sunny lands, where the change from summer to winter brought with it no feelings of overpowering gloom. The outward nature exercised a cheering influence upon him, making him happy, and this happiness he exhibited in his mythology. The Greek cared less to commune with the silent mountains, moaning winds, and heaving sea; he spent his life to a great extent in the cities, where his mind would become more interested in human affairs, and where he could share his joys and sorrows with his kinsmen. While the Greek thus was brought up to the artificial society of the town, the hardy Norseman was inured to the rugged independence of the country. While the life and the nature surrounding it, in the South, would naturally have a tendency to make the Greek more human, or rather to deify that which is human, the popular life and nature in the North would have a tendency to form in the minds of the Norsemen a sublimer and profounder conception of the universe. The Greek clings with tenacity to the beautiful earth; the earth is his mother. Zeus, surrounded by his gods and goddesses, sits on his golden throne, on Olympos, on the top of the mountain, in the cloud. But that is not lofty enough for the spirit of the Norsemen. Odin's Valhal is in heaven; nay, Odin himself is not the highest god; Muspelheim is situated above Asaheim, and in Muspelheim is Gimle, where reigns a god, who is mightier than Odin, the god whom Hyndla ventures not to name.
In Heroes and Hero Worship, Thomas Carlyle makes the following striking comparison between Norse and Greek mythology: To me, he says, there is in the
