that simple and martial religion which was cherished by those vast multitudes which, as Milton says, the populous North
poured from her frozen loins to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South and spread
Beneath Gibraltar and the Libyan sands.
But it may be necessary for the reader to refresh himself with a few draughts of that excellent beverage kept in Minter's gushing fountain, and drink with his glittering horn, before he will be willing to accept these and many more such statements that we will make in thee course of this introduction.
To return to our theme. The gods of Norseland are stern and awe-inspiring; those of Greece are gentle and lovely. In the Norse mythology we find deep devotion, but seldom tears. In the Greek, there are violent emotions and the fears flow copiously. In Norseland, there is plenty of imagination; but it is not of that light, variegated, butterfly, soap-bubble nature as in Greece. In the Norse mythology there is plenty of cordiality and sincerity, and the gods treat you hospitably to flesh of the boar, Sæhrimner; and the valkyries will give you deep draughts from bowls flowing with ale. In Greece there is gracefulness, a perfect etiquette, and you dine on ambrosia and nectar; there Eros and Psyche, the graces and muses, hover about you like heavenly cherubs. Graces and muses wanting in Norseland, The Norse mythology is characterized throughout by a deep and genuine sincerity; the Greek, on the other hand, by a sublime gracefulness; but, with Carlyle, we think that sincerity is better than grace.
But the comparison between Norse and Greek mythology is too vast a field for us to attempt to do
