Nostromo: A Tale of the Seaboard
tide of his guests on the great square of carpet, as it were a multicolored shoal of flowers and arabesques under his brown boots. Father Corbelan approached the rocking-chair of Don José Avellanos.
"Come, brother," he said, with kindly brusqueness and a touch of relieved impatience a man may feel at the end of a perfectly useless ceremony. "A la casa! A la casa! This has been all talk. Let us now go and think and pray for guidance from Heaven."
He rolled his black eyes upward. By the side of the frail diplomatist—the life and soul of the party—he seemed gigantic, with a gleam of fanaticism in the glance. But the voice of the party, or, rather, its mouth-piece, the "son Decoud" from Paris, turned journalist for the sake of Antonia's eyes, knew very well that it was not so, that he was only a strenuous priest with one idea, feared by the women and execrated by the men of the people. Martin Decoud, the dilettante in life, imagined himself to derive an artistic pleasure from watching the picturesque extreme of wrong-headedness into which an honest, almost sacred conviction may drive a man. "It is like madness. It must be—because it's self-destructive," Decoud had said to himself often. It seemed to him that every conviction, as soon as it became effective, turned into that form of dementia the gods sent upon those they wish to destroy. But he enjoyed the bitter flavor of that example with the zest of a connoisseur in the art of his choice. Those two men got on well together, as if each had felt respectively that a masterful conviction, as well as utter scepticism, may lead a man very far on the by-paths of political action.
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