FROM THE LIFE
He made her "noise up" her scenes with him, so that he might play at the top of his voice, which was his only way of expressing emotion. And she ranted diligently.
He made, her stand as motionless as a dummy while he spoke lines to her, because he wanted the audience's undivided attention for himself—and he moved and gestured as much as he pleased while she replied. She obeyed him religiously, and with every look she called him "Master."
It was touching to see. When you consider that she knew exactly what he was doing and despised him for it, it was a masterpiece of art.
He took her out to luncheon with him. He took her home in a cab when it rained. They were seen together in a box at a benefit. They dined at his hotel. She was pointed out as his new leading woman—and then as his latest affinity. He was already paying alimony to three others, and the company began to bet on whether Jane was going to take the first step toward joining his Alimony Club. "He always marries them," they explained. "He's religious."
They were a respectable lot of hard-working men and women, but they had no illusions about their star. They admitted that he was a handsome bully, an egotistical cad, a bone-headed matinée idol, a strutting lady-killer with all the delicate impulses of a caveman. One of them said, "He's the kind of actor that ought always to wear a wig
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