but a sodden plot planted with wearied-looking shrubs, he has the key of that magic casement which opens on perilous seas in fairylands forlorn. He will never do anything great in the world, he will never lead a forlorn hope, or marry the Princess, or see far lands; he will never be anything but a poor, shabby clerk, but he is of such stuff as dreams are made of, and God has given to him His fairyland.
No, I don't think a new environment changes people, and it is foolish to think it makes them forget. Sometimes in the Eden Gardens at sunset, when we draw up to listen to the band, I watch the faces of the youths—Scots boys come out from Glasgow and Dundee—dreaming there in the Indian twilight while the pipers play the tunes familiar to them since childhood. They are sahibs out here, they have a horse to ride and a servant to look after them, things they never would have had had they stayed in Dundee or Glasgow, but though they are proud they are lonely. What does grandeur matter if "the Quothquan folk" can't see it? The peepul trees rustle softly overhead, the languorous soft air laps them round, the scent of the East is in their nostrils, but their eyes are with their hearts, and is this what they see? A night of
