that I should sing—if only out of curiosity."
"I dare not do so," replied Oblomov. "You are not an actress."
"Then it shall be for you that I will sing," she said to Schtoltz.
"While you, Ilya," he added, "can be getting your compliment ready."
Evening was closing in, and the lamp had been lit. Moonlike, it cast through the ivy-covered trellis a light so dim that the dusk still veiled the outlines of Olga's face and figure—it still shrouded them, as it were, in crêpe; while the soft, strong voice, vibrating with nervous tension, came ringing through the darkness with a note of mystery. At Schtoltz's prompting she sang several arias and romances, of which some expressed suffering, with a vague forecast of joy, while others expressed joy, coupled with a lurking germ of sorrow.
As Oblomov listened he could scarcely restrain his tears or the cry of ecstasy that was almost bursting from his soul. In fact, he would have undertaken the tour abroad if thereby he could have remained where he was at that moment, and then gone.
"Have I pleased you to-night?" she inquired of Schtoltz.
