guttural grunts. Upon this undercurrent of wellnigh automatic action the man was insensibly carried along through successive cycles of rite. Beginning at the north end of the square, he first made incantation facing the caldron; then walking absorbedly round to the south, digitating as he did so, he faced the kettle and repeated his spell. Continuing as before, he went through the same performance at the west side; then at the east, the northwest, the northeast, and the southwest, making thus at least a half circuit between each point. All this was most particular; though as a matter of fact the orientation of the points was hypothetical.
This constituted the simple motif, as it were. No sooner was it completed, than he started on it again with variations. First it was salt. From the saucer on the stand he helped himself to a handful of this, and making circuits of the kettle as before, deposited a pinch of it at each of the compass points in turn, digitating with the free hand as he did so, after the manner of one enjoining implicit compliance with his act. After this he tossed more salt into the air toward each of the four quarters of the heavens.
