Mr. Konichi, the Sacred Bow, and Mr. Kobayashi, the Chief of God-Arts, then armed themselves with two beautiful bows beribboned at the end with a tangle of colored gohei of the five elemental colors, and proceeded, the one to mount by the secular ladder, which had not yet been removed, to the altar above, where he went through much pantomimic archery; the other to do like effigy-shooting below. The Chief of the God-Arts was specially effective. Stretching his bow at each corner of the square in turn, he made semblance to shoot at the demons, and accentuated his performance by quite unearthly grimaces. He knotted first his fingers and then his face in a truly startling manner. Nature had endowed him with a remarkably expressive physiognomy, which even in repose bordered perilously upon caricature. When this came to be further heightened by art, as enthusiastic performance of the rite demanded, the effect was extreme, quite capable of driving off devils, which was its object, and very nearly of driving off the bystanders, which was not. The pious saw in it the most realistic piety. What the children saw I will not pretend to
