OF SIX MEDIÆVAL WOMEN
pleasure what is carven in stones than what is written in books, and would rather gaze all day upon these singular creations than meditate upon the Divine Word."
It has been maintained that the classic theatre decayed and disappeared as Christianity became all-powerful in Europe, and that the modern theatre seemingly arose in the twelfth century out of the services of the Church, and owed no debt to the past. But neither Nature nor Art works in this way except to our own unperceiving minds. After the fall of the Roman Empire, and the consequent disruption of society, classic civilisation gradually withdrew into the security of the religious communities, seeking, like distraught humanity, shelter and protection. It was in such tranquil atmosphere as this that Latin drama, though condemned in substance, was fostered and favoured as an education in style. Roswitha's plays may, as has been said, have been the last ray of classical antiquity, but if so, it was a ray, like the pillar of fire, bright enough to guide through the dark night of feudalism to the coming day.
Whether her dramatic efforts were an isolated phenomenon or not, must remain undecided, but it is reasonable to assume that any work surviving to the present day is but a sample of much else of the same sort that has disappeared in the course of time. Still all we would claim for them, apart from their intrinsic value and interest, is that they helped to keep
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