Page:Old and New London, vol. 1.djvu/22

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In Crane Court, the early home of the Royal Society, Newton is the central personage; and we tarry to sketch the progress of science and to smile at the crudity of its early experiments and theories. In Bolt Court we pause to see a great man die. Here especially Dr. Johnson's figure ever stands like a statue, and we shall find his black servant at the door and his dependents wrangling in the front parlour. Burke and Boswell are on their way to call, and Reynolds is taking coach in the adjoining street. Nor is even Shoe Lane without its associations, for at the north-east end the corpse of poor, dishonoured Chatterton lies still under some neglected rubbish heap; and close by the brilliant Cavalier poet, Lovelace, pined and perished, almost in beggary.

The southern side of Fleet Street is somewhat less noticeable. Still, in Salisbury Square the worthy old printer Richardson, amid the din of a noisy office, wrote his great and pathetic novels; while in Mitre Buildings Charles Lamb held those delightful conversations, so full of quaint and kindly thoughts, which were shared in by Hazlitt and all the people whom Lamb has immortalised in "Elia" — bibulous Burney, George Dyer, Holcroft, Coleridge, Hone, Godwin, and Leigh Hunt.

Whitefriars and Blackfriars are our next places of pilgrimage, and they open up quite new lines of reading and of thought. Though the Great Fire swept them bare, no district of London has preserved its old lines so closely ; and, walking in Whitefriars, we can still stare through the gate that once barred off the brawling Copper Captains of Charles II.'s Alsatia from the contemptuous Templars of King's Bench Walk. Whitefriars was at first a Carmelite convent, founded, before Blackfriars, on land given by Edward I.; the chapter-house was given by Henry VII. [sic] to his physician, Dr. Butts (a man mentioned by Shakespeare), and in the reign of Edward VI. the church was demolished. Whitefriars then, though still partially inhabited by great people, soon sank into a sanctuary for runaway bankrupts, cheats, and gamblers. The hall of the monastery was turned into a theatre, where many of Dryden's plays first appeared. The players favoured this quarter, where, in the reign of James I., two henchmen of Lord Sanquhar, a revengeful young Scottish nobleman, shot at his own door a poor fencing-master, who had accidentally put out their master's eye several years before in a contest of skill. The two men were hung opposite the Whitefriars gate in Fleet Street. This disreputable and lawless nest of river-side alleys was called Alsatia, from its resemblance to the seat of the war then raging on the frontiers of France, in the dominions of King James's son-in-law, the Prince Palatine. Its roystering bullies and shifty money-lenders are admirably sketched by Shadwell in his Squire of Alsatia, an excellent comedy freely used by Sir Walter Scott in his "Fortunes of Nigel," who has laid several of his strongest scenes in this once scampish region. That great scholar Selden lived in Whitefriars with the Countess Dowager of Kent, whom he was supposed to have married; and, singularly enough, the best edition of his works was printed in Dogwell Court, Whitefriars, by those eminent printers, Bowyer & Son. At the back of Whitefriars we come upon Bridewell, the site of a palace of the Norman kings. Cardinal Wolsey afterwards owned the house, which Henry VIII. reclaimed in his rough and not very scrupulous manner. It was the old palace to which Henry summoned all the priors and abbots of England, and where he first announced his intention of divorcing Katherine of Arragon. After this it fell into decay. Dr. Ridley, Bishop of London, begged it of Edward VI. for a workhouse, and a school. Hogarth painted the female prisoners here beating hemp under the lash of a cruel turnkey; and Pennant has left a curious sketch of the herd of girls whom he saw run like hounds to be fed when a gaoler entered.

If Whitefriars was inhabited by actors, Blackfriars was equally favoured by players and by painters. The old convent, removed from Holborn, was often used for Parliaments. Charles V. lodged here when he came over to win Henry against Francis; and Burbage, the great player of "Richard the Third," built a theatre in Blackfriars, because the Precinct was out of the jurisdiction of the City, then ill-disposed to the players. Shakespeare had a house here, which he left to his favourite daughter, the deed of conveyance of which sold, in 1841, for £165 15s. He must have thought of his well-known neighbourhood when he wrote the scenes of Henry VIII., where Katherine was divorced and Wolsey fell, for both events were decided in Blackfriars Parliaments. Oliver, the great miniature painter, and Jansen, a favourite portrait painter of James I., lived in Blackfriars, where we shall call upon them; and Vandyke spent nine happy years here by the river side. The most remarkable event connected with Blackfriars is the falling in of the floor of a Roman Catholic private chapel in 1623, by which fifty-nine persons perished, including the priest, to the exultation of the Puritans, who pronounced the event a visitation of Heaven on Popish superstition. Pamphlets of the time, well rummaged by us, describe the scene with curious exactness, and mention the singular