Page:Origin of metallic currency and weight standards.djvu/335

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still more to the point, the people of Metapontum in South Italy, whose land was famous for its wheat, after an especially favourable harvest sent to Delphi a wheat-ear ([Greek: theros]) of gold. Were the double axes in like fashion an especial product of Tenedos? Or was this dedication analogous to that of Pheidon when he hung up in the temple of the Argive Here the ancient nails and bars? The first explanation is the more probable, for there was no reason why the Tenedians should not have dedicated their cast off currency of axes in some temple at home. I have already mentioned the hoe currency of ancient China, and the axes used as such in Africa. I shall now show that such double-axes as those stamped on the coins of Tenedos formed part of the earliest Greek system of currency. I have already enumerated the various articles used in barter in the Homeric poems. The prizes offered in the Funeral games of Patroclus are of course merely the usual objects of barter and currency, slavewomen, oxen, lebetes, tripods, talents of gold and the like. "But he (Achilles) set for the archers dark iron, and he set down ten axes ([Greek: pelekeas]), and ten half-axes ([Greek: hêmipelekka])[1]." The axe is undoubtedly of the same kind as that on the coins of Tenedos, the name (pelekys) being the same in each case, and the Homeric one beyond doubt is double-headed like the Tenedian, since the half-axe (hemi-pelekkon) must obviously mean a single-headed axe[2]. The double-axes formed the first prize, the ten half-axes the second, for "Meriones took up all the ten axes, and Teucer bore the ten half-axes to the hollow ships[3]." These axes and half-axes then seem to go in groups of ten as units of value, the half-axes representing half</poem> ]</poem> ]

  1. Iliad, XXIII. 850-1, <poem> [Greek: Autar ho toxeutêsi tithei ioenta sidêron, kad d' etithei deka men pelekeas, deka d' hêmipelekka.
  2. No doubt the axe was often used as a religious emblem; double-headed axes borne in procession are seen on Hittite sculptures (Perrot et Chipiez, Histoire de l'Art dans l'antiquité, IV. p. 637). It was also the symbol of Dionysus at Pagasae. So amongst the Polynesians we find processional axes as well as real ones like our sword of state as contrasted with real swords.
  3. Ib. 882-3, <poem> [Greek: an d' ara Mêrionês pelekeas deka pantas aeiren, Teukros d' hêmipelekka pheren koilas epi nêas.